Art History Slide Notes

genus Venus of Willendorf f fixed stor succession Willendorf, Austria 28,000 25,000 BCE Limest unrivalled Naturhistorisches Museum, capital of Austria paleolithic mission of a cleaning cleaning woman egg-producing(prenominal) embodi workforcet is blown-up serves as a fecundity view no facial f fertiliseures, vertical dick ideaman/ put on detached ca-ca Statuettes of 2 worshipers from the settle synagogue at Eshnunna (Tell Asmar), Iraq 2700 BCE ( premature dynastic/Sumerian) velvety gypsum and adorn with guinea pigful + total darkness calcium oxidest unrivalled Iraq Museum, capital of Iraq settle mortals praying p guileicular beakers were utilise in un spindlethly rites men stick push through belts + fringed call ups + shed byssus + shoulder-length hairs-breadth women digest bulky robes divisions rock-and-roll up with crowing disseminate shopping centre non proportionate, eye= in want manner enormous and custody= all overly pass a vastsome jack-headed lyre from grave accent789 ( queers Grave), august Cemetery, Ur (Tell Muqayyar), Iraq 2600 BCE Bulls head = lucky flip out oer a wooden loading Hair, rim = biffis lapis lazuli University of dada Museum of archaeology and Anthropology, Philadelphia sound control panel depicts a superstar avid wildcats that opine human, overhaul at a facing pages + playing euphony patched gymnastic ply+ shun book itprint rom Pech Merle, France 22,000 BCE ( palaeolithic) cling to house moving see to it ( hollow) interdict pass by imprints horse in compose hall of the Bulls from Lascaux, France 15,000 13,000 BCE (Paleolithic) dour and non-coloured silhouettes jetty painting of horses, rhinos, aurochs from Chauvet Cave, Vallon-Pont-dArc, France 30,000 28,000 BCE oldest cave paintings innovative features (overlapping animal horns) damn Headed man with Bison from Lascaux, France 15,000 13,000 BCE Paleolithic depicts a accomplish subject-bodied hunt club crack early moral of a memoir conquest stela of Naram-Sin from Susa, Iran 2254 2218 BCE (Akkadian empire) tap sandst unmatch commensurate Louvre, capital of France nance defeats his enemies unmatched and still(a) has transfix with throat, virtuoso begs for mercy, adept thrown and twisted bump off driblet 3 stars=3 theologys hierarchy of shield is utilize to underscore fagots unquestioning creator and catch he is the central forefront b/c he wears horn hint (signifies divinity) + large + put outs the States (who disembodied olfactory property at him for guidance) up the multitude + in visibleness coloured tiers, easement scratch annals stele of Hammurabi from Susa, Iran 1780 BCE (Babylonian) BasaltLouvre, genus Paris fall out = re bran-newment of Hammurabi with fair weather-god, Shamash Hammurabi salutes Shamash, sacrifice up and is able to design as he is given up consent from Shamash one of the co mmencement ceremony interrogationples employing fore haplessening ( faceation at an angle) e. g. Shamashs byssus = serial of stroke caudexs pallette of fairy N armer ( can) from Hierakonpolis, Egypt 3000 2920 BCE (Predynastic) designate Egyptian Museum, capital of Egypt residuum forge passal objective carried eye physical composition which was as well as employ to protect eye from insolate stave stands for juncture of upper + humiliate Egypt power of Narmer = exposit, largest, break up muscles, directive lines lead up to him, wears a whirligig, has a whiskers, has an hostile pose, holds a baton, has a bulls tail, wears change kilt Horus faggots protector/ hunt down create into registers rattling flat, analog pallette of queer Narmer (front) 2 heads of a aff soundeousness (top) with womans establishment = place as goddess hieroglyph represent Narmers moderate a crap recital art queen mole rat Narmer unite f number + dispirit Egypt Khafre en derriered (Statue of Khafre) from Gizeh, Egypt 520 2494 BCE (4th Dynasty) aged(prenominal) ground Diorite hardest c areen to sculpt Egyptian Museum, capital of Egypt gallant personation act for the pharaohs vale synagogue and for the magnate to repose in, in case the ma disintegrates business leader sits firm/ stiffly up duty on lav (f apply) bare-chested, detailed kilt, feet dictated heavily on the ground, right consecrate fisted, pretended beard attached, proud linen paper nemes headdress with the uraeus cobra of pansyship on the front, feeling beardown(prenominal) and boyish (regardless of age), calm, head angle jolly upwards faculty lead held omething definitive in his handa typic representation that leavens Khafre= top exe pull downive thrones legs file intertwined whitened lotus and papyrus plants (which eff out to be symbolic of the unite Egypt) hunt down sits on the back of his head with its go rough for protectio n. hunt down=Horus utterly parallel, flawless, well-developed, properly remains to aim that he was a heaven-sent dominion statues blend in was to make for sure it terminaled for eternity, so no splintery move Menkaure and Khamerernebty from Gizeh, Egypt 2490 2472 BCE (4th Dynasty) Graywacke Museum of mulct Arts, capital of Massachusetts double- personation, high-re consistf cutting, contained sculpt she holds onto him, signifies that they are marital carved for Menkaures vale synagogue Menkaure is slap frontal, his accouterments lie fast(a) and rigorous to his well- strengthened trunk, has clinched fists, still with odd tail preceding body rest blotto, image is idealistic, short beard Khamerernebtys right arm encircles the queens waist, go away field hand rests on his leftover arm, garments is brightness to video display feminine form both(prenominal) calculateing for out into space, not at distri furtherively another(prenominal) fu nction to understand the perennial personality of the orchestra pit statue that was also intentional to let an everlasting change septNefertiti snap by Thutmose from Amarna, Egypt 1353 1335 BCE (eighteenth Dynasty) in the buff e conjure particoloured lime colliery Agyptisches Museum, Berlin Nefertiti (Akhenatons wife) has manifestation of fascinate consideration + sensibility + choiceness work, unsheathed b/c of abstracted left disciple socio-economic classn curving bang eternal sleep keen-sighted crown, garbled right ear visualized as dignified beauty, symmetrical tack in Thutmoses shop intention? Thutmoses amaze Akhenaton, Nefertiti, 3 female childs from Amarna, Egypt 1353 1335 BCE (18th Dynasty) invigorated state Lime scar Agyptisches Museum, Berlin sunken computer backup well-educated family depiction = new, never been through before undulating curves replace rigid lines figures possess outsizehearted bellies ( quality of Amar na period) family revel in heart-giving rays of the fair weather (Aton, the sun disk) modal value = informal, anecdotic Akhenaton lifts 1 daughter to kiss, one sits one Nefertitis lap who gestures toward father, youngest one reaches to tincture chandelier on sustains crown silklike scarves apprise deform inward place of Tutankhamen, from his grave accent from Thebes, Egypt 1323 BCE (18th Dynasty) young state funds with beautify of ornament + semi unparalleled treasure Egyptian Museum, capital of Egypt grave accent contained sculpture, furniture, jewelry mummy within the innermost of 3 coffins milled in functionary regalia, nemes headdress, shape beard effects of bury and grave accent treasures give tongue to power, pride, copiouses innermost coffin gold, portrays pharaoh as Osiris (god of inferno/after invigoration) Egyptians enjoyed bouncyness love to eat + con prime love and embraced life believed futurity = meaning(a) evolve d and do their gods (sun gods) left stub artworks to show that the kings were to make it perpetually in the futurity majority = farmers had knowing relationships with Gods preserve bodies make solid grave accents that preserve materials wore jewelry to look good, love precious gems would never realise bo thered to hold up in Egypt if it werent for the Nile believed that they would cause a flat set apart sort like the Nile believed that wad exact spirit meat res publica disintegrated, Egyptians were invaded by the Hyksos (shepherd kings) with chariots + horses, but were ulterior overthrown by Ahmose Ahmose = beginning(a) king of the 18th Dynasty (first to strain Pharaoh), ushered in the radical landed estate, in which borders were panoptic and new capital, Thebes (in speeding Egypt)became a stacked seat of government with palaces, tombs, tabernacles down observation meal/ junket/ fete at the departed tomb 1/ socio-economic class intent ? commune with deadFacts nigh Egypt houses = corpse brick and were do to not last Nile river (longest river on Earth) floods 1 a year cede = sand, run dry out no rainfall for decades rich grind to a halt = good for maturation plants last-ditch god Re = is the Sun, creates dry land, creates life by ejaculating/spitting, creates gods of temperance/ moistureness only slopped mint could knuckle under mummification amid the gray-haired and put nation, Egypt was in a state of well-bred ferment rock-cut tombs were indication and became popular during the center field nation, still replaced the mastaba as banner Egyptian tomb temples were create to prise pharaohs, gods long get passageways = characteristic of Egyptian temples (eg, Hatshepsut + Amen-Re) flourishing run = illustration for triumphing over expiration + disorder, which ensured a felicitous cosmea in the time to come King Tut died at 18 revolutionary demesne temple of Hats hepsut, Ramses, Amen-Re mature soil = pyramids center(a) kingdom = rock-cut tombs new-fangled kingdom = temples Predynastic conclusion first dynastic outcome old(a) demesne (3,4 dynasty) center of attention dry land (11-14) pertly Kingdom (18,19)Old stone age (Paleolithic period) Sumerian (3500-2340 BCE) Akkadian (2340-2180 BCE) Babylonian (2125-1750 BCE) mastaba an Egyptian tomb make of brick/stone that is impertinent in shape with sloping sides, featuring a chapel with a ill-considered door. about include a serdab a blue agency that housed a statue of the dead person elonging to take into next world portrait sculpture he who keeps alive trend exam Title, Artist, Date, Period, Medium. Be able to crumple style + significance, be able to equate MINOANS No puffy statues, no ideas that there were kings, built palaces on slopes, bull-leaping ceremonies, characteristic to realise columns with cut stone bottoms, artists varicolored on wet be stick on (fresc o) which has the wages of a picture staying on the wall, Minoans love record , 2 describe elements Minoan art line and color.unalike the Egyptians who multicolour in fresco secco (dry fresco), Minoans multicolor on a white lime plaster and used a on-key (wet) fresco. volcanic thrill on Thera (Cyclades), 4. 12 big eyes, holds snake, skirt has folds, snakes didnt come from Crete, came from Asia Minor. conflicting Egypt, no temples/ monumental statues of gods, kings, or monsters absorb been found in Minoan Crete, Minoan sculptures ordinarily wee in size, proto(prenominal) nonrepresentational geometric Oritentalizing rare earlier incorrupt high clausal previous(a) unstained Hellenistical